To xibalba el dorado

Contrasting the lively colored and adorned La Muerte, Xibalba carries a grim and darker appearance befitting his role as the ruler of the Land of the Forgotten. True to the Day of the Dead iconography, Xibalba resembles a skeleton with wings and a crown. This connects with the origin of his name as the underworld of K'iche Maya mythology, roughly translated as "the land of fear".

It also highlights his more blasphemous and sinister qualities, such as his determination to win his wager between himself and La Muerte through underhanded and manipulative methods. One condition of the wager noted that he loved to mess with the lives of mortals, as seen when he blows out the memorial candles and attempts to take the life of an old man. He also does not take lightly to anyone who challenges him, as seen with Manolo's angry and acrimonious declaration that he will expose him to La Muerte.

This prompts Xibalba to respond that no one who talks to him in such a manner survives. Xibalba is established as the tyrannical ruler of the Land of the Forgotten, a duty he has grown to hate due to the dreary conditions, especially contrasted with the festive nature of his former lover's domain, the Land of the Remembered. Prior to the events of the film, Xibalba had made a bet wherein he cheated, resulting in not only his ruling state, but also his estranged relationship with La Muerte, with whom he seeks to reconcile.

Although, Manolo manages to make a heartfelt connection with her. He has the two-headed snake bite Manolo twice, which does kill him. It was then Manolo realized that Xibalba cheated on the wager and gets very furious at him for it. Manolo angrily swears to head over to the Land of the Forgotten to find La Muerte and expose Xibalba to her for his cheating, but Xibalba brushes this off as he heads off to oversee Maria and Joaquin's wedding.

Seeing both the living and deceased reunited to take down Chakal and his forces, Xibalba abandons his cheating ways and successfully reconciles with La Muerte.

During the frame story, a museum tour guide named Mary Beth guides a group of children to the eponymous Book of Life to tell them the story along with an elderly security guard. In the end of the film, Mary Beth and the security guard are eventually revealed to be La Muerte and Xibalba in disguises, and as the children leave in their bus, La Muerte and Xibalba show out their true forms to share a tender moment with each other.

Tweedy Mr. Live-Action Movies Mr. Zaius General Ursus Albina Dr. This wiki. This wiki All wikis. Sign In Don't have an account? Start a Wiki. Villain Overview. Categories :. Universal Conquest Wiki.If you got rich off GameStop stock or Dogecoin this week, consider becoming a supporter! Of all the sexy cartoon girls people gush over, Chel makes the most sense to me by far. Partially because of her skimpy outfit and and curvy form. But mostly because she actually has Offscreen sex.

I could totally imagine the real Chel doing something like this :.

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Wall Art by. Extra, Extra! All rights reserved. Privacy Policy Terms of Use.As they prepare to leave, they encounter a native woman, Chel, being chased by guards.

When the guards see Tulio and Miguel riding Altivo as depicted on the totem, they escort them and Chel to a secret entrance behind the falls, into El Dorado. They are brought to the city's elders, kindhearted Chief Tannabok and wicked high priest Tzekel-Kan. The pair are mistaken for gods and given luxurious quarters, along with the charge of Chel.

Chel discovers the two are conning the people but promises to remain quiet if they take her with them when they leave the city. The two are showered with gifts of gold from Tannabok but disapprove of Tzekel-Kan attempting to sacrifice a civilian as the gods' ritual. Tulio instructs Tannabok to build them a boat so that they can leave the city with all the gifts they have been given. During the three days this will take, Miguel explores the city, and Chel gets romantically close to Tulio.

Miguel comes to appreciate the peaceful life the citizens seem to enjoy. Tulio and Miguel are outmatched, but Chel is able to substitute the ball with an armadillo, allowing them to win. Miguel spares the ritual of sacrificing the losing team and chastises Tzekel-Kan, much to the crowd's approval.

WoW: Misadventures of the El Dorado Crew. (TO XIBALBA!!)

Tzekel-Kan notices Miguel received a small cut and realizes the two are not gods, because gods do not bleed. With the boat completed, Miguel says he will stay in the city. Tulio suggests using the boat to ram rock pillars under the waterfall and block the main entrance to the city. The plan succeeds with the citizens pulling over a statue in the boat's wake to give it enough speed. As the statue starts to fall too quickly, Tulio has difficulty in preparing the boat's sail.

Giving up on staying in the city, Miguel and Altivo jump onto the boat to unfurl the sails, assuring the boat clears the statue in time. The group successfully crashes against the pillars, causing a cave in but losing all their gifts in the process.

Tulio and Miguel, though disappointed they lost the gold unaware that Altivo still wears the golden horseshoes with which he was outfitted in El Doradohead in a different direction for a new adventure with Chel.

They need each other because they're both pretty inept. They're opposites — Tulio is the schemer and Miguel is the dreamer. Their camaraderie adds to the adventure; you almost don't need to know where they're going or what they're after, because the fun is in the journey.

This resulted in a good deal of improvised dialogue, some of which ended up in the film. Marylata Jacob, who started DreamWorks' music department inbecame the film's music supervisor before the script was completed. John then recorded a demo, which was given to the animators whom storyboarded to the demo, as the tempo and vocals would remain intact.

Eventually, the filmmakers decided not to follow the traditional musical approach by having the characters sing. Co-producer Bonne Radford explained, "We were trying to break free of that pattern that had been kind of adhered to in animation and really put a song where we thought it would be great In some instances such as "The Trail We Blaze"the songs have been altered musically and vocally from the way they appeared in the film.

The DVD release includes an audio commentary, behind-the-scenes featurettes, music video of "Someday Out of Blue", production notes, interactive games, and trailers and television spots.

The site's critical consensus reads, "Predictable story and thin characters made the movie flat. It's also more adult, though it's the same cartoonish sensuality as the original "Road" movies, with their heavily coded prurience.

It's a high-spirited movie, though it's not for all tastes. The script, while clever, often seems too cute and show-biz snazzy, not emotional enough. Our Tulio and Miguel aren't big enough, nor strong enough, nor funny enough to buckle any swashes. They're as lost to us as the lost city into which they stumble.They reach an unknown shore at the edge of South America where Miguel begins to recognize landmarks from the map, leading them to a totem marker near a waterfall that Tulio believes is a dead end.

As they prepare to leave, they encounter a native woman, Chel Rosie Perezbeing chased by guards.

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When the guards see Tulio and Miguel riding Altivo as depicted on the totem, they escort them and Chel to a secret entrance behind the falls, into El Dorado. The pair are mistaken for gods and given luxurious quarters, along with the charge of Chel. Chel recognizes that the two are conning the people but promises to remain quiet if they take her with them when they leave the city.

The two are showered with gifts of gold from Tannabok but disapprove of Tzekel-Kan attempting to sacrifice a civilian as the gods' ritual. Tulio instructs Tannabok to build them a boat so that they can leave the city with all the gifts they have been given. During the three days this will take, Miguel explores the city, and Chel gets romantically close to Tulio.

Miguel comes to appreciate the peaceful life the citizens seem to enjoy and speaks to Tannabok about delaying the construction of the boat; Tannabok reveals that he knows that neither Miguel or Tulio are gods, but would like Miguel to remain and live like one all the same.

Tulio and Miguel are outmatched, but Chel is able to substitute the ball with an armadillo, allowing them to win. Miguel spares the ritual of sacrificing the losing team and chastises Tzekel-Kan, much to the crowd's approval. Tzekel-Kan notices Miguel received a small cut and realizes the two are not gods, because gods do not bleed.

With the boat completed, Miguel says he will stay in the city. The plan succeeds with the citizens pulling over a statue in the boat's wake to give it enough speed. As the statue starts to fall too quickly, Tulio has difficulty in preparing the boat's sail. Giving up on staying in the city, Miguel and Altivo jump onto the boat to unfurl the sails, assuring the boat clears the statue in time.

The group successfully crashes against the pillars, causing a cave-in but losing all their gifts in the process. Tulio and Miguel, though disappointed they lost the gold unaware that Altivo still wears the golden horseshoes with which he was outfitted in El Doradohead in a different direction for a new adventure with Chel. Producer Bonnie Radford explained, "We originally thought it would be rated PG and so we skewed it to that group But then we thought we could not exclude the younger kids so we had to tone the romance down.

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They need each other because they're both pretty inept. They're opposites — Tulio is the schemer and Miguel is the dreamer.

to xibalba el dorado

Their camaraderie adds to the adventure; you almost don't need to know where they're going or what they're after, because the fun is in the journey. This resulted in a good deal of improvised dialogue, some of which ended up in the film.

Marylata Jacob, who started DreamWorks' music department inbecame the film's music supervisor before the script was completed. John then recorded a demo, which was given to the animators whom storyboarded to the demo, as the tempo and vocals would remain intact. Eventually, the filmmakers decided not to follow the traditional musical approach by having the characters sing. Co-producer Bonne Radford explained, "We were trying to break free of that pattern that had been kind of adhered to in animation and really put a song where we thought it would be great In some instances such as "The Trail We Blaze"the songs have been altered musically and vocally from the way they appeared in the film.

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The DVD release includes an audio commentary, behind-the-scenes featurettes, music video of "Someday Out of Blue", production notes, interactive games, and trailers and television spots. The site's critical consensus reads, "Predictable story and thin characters made the movie flat. It's also more adult, though it's the same cartoonish sensuality as the original "Road" movies, with their heavily coded prurience.

It's a high-spirited movie, though it's not for all tastes. The script, while clever, often seems too cute and show-biz snazzy, not emotional enough.

to xibalba el dorado

Our Tulio and Miguel aren't big enough, nor strong enough, nor funny enough to buckle any swashes. They're as lost to us as the lost city into which they stumble. Kevin Kline and Kenneth Branagh supply their voices, but the characters say and do similar things in similar ways.

Who can tell them apart?John is also credited periodically narrating the story in song throughout the film.

to xibalba el dorado

The film follows two con artists who, after winning the map to El Doradoescape from Spain. After washing ashore in the New Worldthey use the map to lead them to the city of El Dorado, where its inhabitants mistake them for gods. In Spaina bard and a rogue, Miguel and Tulio, win a map to the legendary City of Gold, El Doradoin a rigged dice gamble though they ironically win the map fairly. Their boat reaches land, where Miguel begins to recognize landmarks from the map, leading them to a totem marker near a waterfall that Tulio believes is a dead end.

As they prepare to leave, they encounter a native woman, Chel, being chased by guards. When the guards see Tulio and Miguel riding Altivo as depicted on the totem, they escort them and Chel to a secret entrance behind the falls, into El Dorado.

They are brought to the city's elders, kindhearted Chief Tannabok and wicked high priest Tzekel-Kan. The pair are mistaken for gods and are given luxurious quarters, along with the charge of Chel. She discovers that the two are conning the people, but promises to remain quiet if they take her with them when they leave the city.

The two are showered with gifts of gold from Tannabok, but disapprove of Tzekel-Kan attempting to sacrifice a civilian at the gods' ritual.

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Tulio and Miguel instruct Tannabok to build them a boat so that they can leave the city with all the gifts they have been given, under the ruse that they are needed back in the 'other world. Miguel comes to appreciate the peaceful life embraced by the citizens; by then, he reconsiders leaving, especially after overhearing Tulio telling Chel that he'd like her to come with them to Spain, before adding he'd like her to come with specifically him and to forget Miguel — straining the relationship between the two.

When Tzekel-Kan sees Miguel playing a ball game with children, he insists the "gods" demonstrate their powers against the city's best players in the same game. Tulio and Miguel are outmatched, but Chel replaces the ball with an armadillo, allowing them to win. Miguel spares the ritual of sacrificing the losing team and chastises Tzekel-Kan, much to the crowd's approval. Tzekel-Kan notices Miguel received a small cut in the game and realizes the pair are not gods since gods do not bleed, hence the reason for the sacrifices.

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Afterward, Miguel and Tulio enjoy a party being thrown for them, but sooner or later begin to argue about Tulio and Chel's conversation and Miguel's desire to stay. However, before they can continue, Tzekel-Kan conjures a giant stone jaguar to chase them throughout the city. Tulio and Miguel manage to outwit the jaguar, causing it and Tzekel-Kan to fall into a giant whirlpool, thought by the natives to be the entrance to Xibalbathe spirit world. With the boat completed, Miguel decides to stay in the city.

The plan succeeds with the citizens pulling over a statue in the boat's wake to give it enough speed. As the statue starts to fall too quickly, Tulio has difficulty in preparing the boat's sail. Giving up on staying in the city, Miguel and Altivo jump onto the boat to unfurl the sails, assuring the boat clears the statue in time.

The group successfully crashes against the pillars, causing a cave-in, but losing all their gifts in the process. Tulio and Miguel, though disappointed they lost the gold unaware that Altivo still wears the golden horseshoes with which he was outfitted in El Doradohead in a different direction for a new adventure with Chel, presumably also looking for a way back to Spain.

This version of the story had Miguel initially conceived as a raunchy Sancho Panza -like character who died, but came back to life so much that the natives assumed he was a god, as well as steamier love sequences and scanty clothing designed for Chel. However, while The Prince of Egypt was in production, Katzenberg decided that their next animated project should be a departure from its serious, adult approach, and desired for the film to be an adventure comedy.

Producer Bonnie Radford explained, "We originally thought it would be rated PG and so we skewed it to that group But then we thought we could not exclude the younger kids so we had to tone the romance down. They need each other because they're both pretty inept. They're opposites — Tulio is the schemer and Miguel is the dreamer.

Their camaraderie adds to the adventure; you almost don't need to know where they're going or what they're after, because the fun is in the journey.The movie takes place in 16th century Spain and tells about two men named Tulio and Miguel.

During a game of dice in Spain, they manage to win a map that purportedly shows the location of the legendary city of gold in the New World. The creation of The Road To El Dorado was a challenge for the studio because Dreamworks had devoted most of its creative efforts to its first animated film, The Prince of Egypt.

The film's opening includes a song telling the legend of El Doradothe city of gold. According to the legend, El Dorado was built by two gods, on a horse-like creature, years ago. They also made the beautiful surroundings. They reach an unknown shore at the edge of Mexico, where Miguel recognizes landmarks from the map. He allures Tulio to take the quest instead of taking another risk to get stranded at sea. The map leads them to a totem marker near a waterfall that Tulio believes is a dead end.

As they prepare to leave, they encounter a native woman, Chel, being chased by guards. When the guards see Tulio and Miguel riding Altivo as depicted on the totem, they escort them and Chel to a secret entrance behind the falls, into El Dorado!

They are brought to the city's elders, kindhearted Chief Tannabok and the wicked high priest Tzekel-Kan. The pair is mistaken for gods, while Tannabok warmly welcomes them to the city; Tzekel-Kan mainly sees them as a way to enhance his own standing. Tzekel-Kan also believes that with the arrival of the gods comes "The Age of the Jaguar," a year in which the city will be cleansed of all 'wicked people'.

Tulio and Miguel pry on what to do, and then a nearby volcano begins to erupt, Tulio yells at Miguel and the volcano suddenly reverts; the citizens take this as proof of their godhood. The pair is given luxurious quarters, along with the charge of Chel. She caught the two conning the people but promises to stay quiet if they agree take her with them when they leave the city implied that she lived a dull life as a prostitute.

The pair is showered with gifts of gold from Tannabok, although disapproves of Tzekel-Kan attempting to sacrifice a civilian as the gods' ritual. Tulio instructs Tannabok to build them a boat so that they can leave the city "via a horizontal pattern to the heavens" with all the gifts they have been given.

During the three days this will take, Miguel explores the city, and Chel gets romantically close to Tulio.

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Miguel comes to appreciate the peaceful life the citizens seem to enjoy. When Tzekel-Kan sees Miguel playing a ball game with children, he insists the gods demonstrate their powers against the city's best players in the same game, much to Tulio's chagrin.The movie begins in the 16th-century Seville, Spain, and tells about two men named Tulio and Miguel. During a dice game using loaded dice, they win a map that supposedly shows the location of El Dorado, the legendary city of gold in the New World.

The Road to El Dorado (film)

However, their cheating is soon discovered and as a result, they end up as stowaways on Hernan Cortes' fleet to conquer Mexico. They are discovered but manage to escape in a boat with Cortes' prized war horse and eventually discover the hidden city of El Dorado, where they are mistaken for gods.

The film received mixed reviews from critics and was a box-office bomb. To date, it is the only DreamWorks Animation film not to recover its budget. In Spaintwo Spanish con-men, Tulio and Miguel win a map to the legendary City of Gold, El Dorado, in a rigged gambling match though ironically they end up winning the map fairly. After being accused of cheating with loaded dice, the two evade capture while being chased by a bull and hide in barrels, which are shortly loaded onto one of the ships to be led by Hernan Cortes to the New World.

During the trip, they are caught as stowaways but manage to break free and take a rowboat with the help of Cortes' horse, Altivo. They land at an unknown shore at the edge of Mexico, and Miguel begins to recognize landmarks stated on the map. The map leads them to a relief outside of a waterfall where a young woman approaches them, chased by a number of guards.

The Road to El Dorado (2000)

The guards see the image of Tulio and Miguel riding Altivo as the same on the totem, and believing them to be gods, escort them and the woman under the falls and into El Dorado, truly a city made of gold. While Tannabok warmly welcomes them to the city, Tzekel-Kan mainly sees them as a way to enhance his own standing. Tzekel-Kan also believes that with the arrival of the gods comes "The Year of the Jaguar", a year in which the city will be purged of all wicked people.

Tulio and Miguel begin to argue on what to do. Everyone is convinced they are gods when as a volcano is beginning to erupt, Tulio yells at Miguel to stop, and the volcano suddenly stops. After celebrations offered by both Tannabok and Tzekel-Kan, the two are taken to private quarters along with the woman they met earlier, Chelwho has seen through their ploy but offers to help maintain it as long as they give her a share of the gold and take her with them when they leave.

Tulio tells Tannabok the next day they are only here for a visit but will need a boat built to leave the city with the gifts the city has showered upon them.

Tannabok says it will take them at least three days to construct a vessel to carry both them and the gifts given to them by the people of El Dorado.

Chel encourages Miguel to continue to explore the city while she to get close to Tulio. Miguel finds the streets empty and sees an old man being pushed by a guard, who tells him Tzekel-Kan had ordered the streets cleared to prepare for a sacrifice by the gods' orders. Miguel begins playing a guitar and begins to bond with the people.

The Road to El Dorado

When Tzekel-Kan sees Miguel playing a ball game with children, he demands that the gods play against the city's best players. During the match, Tulio and Miguel are clearly over-matched, but Chel replaces the ball with a rolled-up armadillo, allowing the two to cheat and win the game. However, when Tzekel-Kan offers to have the defeated players sacrificed, Miguel declares there is no need for sacrifices or him.

While leaving, Tzekel-Kan sees a small cut on Miguel's forehead and realizes that he is not a god. Tzekel-Kan conjures a giant stone jaguar to chase them through the city. Tulio and Miguel manage to outwit the stone jaguar, causing both it and Tzekel-Kan to fall into a giant whirlpool, thought to be the entrance to Xibalba, the spirit world.


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